Why Did the Reclusive Pop Music Manchild Cross the Road?
Because this badass crosswalk signal by French artist Francois Curlet damn well told him to.

Because this badass crosswalk signal by French artist Francois Curlet damn well told him to.


On Star Trek, a character is typically denoted as being of an alien species simply by giving them some sort of cranial abnormality. Vulcans have pointy ears, Klingons have forehead ridges, and Ferengi look like Klingons cross-bred with Stewie Griffin from Family Guy. Now, what Star Trek’s creature design team is overlooking, as far as I’m concerned, is the intense transformative power of full-blown, gravity-defying, gonzo-freakout beards and moustaches.
Above, we have Jurgen Burkhardt. He took home the title of “Best Freestyle Sideburns” at the 2007 World Beard & Moustache Championships (WBMCs), held in Brighton, England. And here we have fan favorite Willi Chevalier, whose triple-handlebar moustache/beard combo was once dubbed a “hair pretzel” by NPR’s Robert Siegel: Read the rest of this entry »
I came by this on Del.icio.us, and find to be one of the most inspiring, reassuring clips I’ve ever seen …
Hey there, visitors — there’s more (and much better) photos of this here — check ‘em out.
I got another cryptic text from a friend last Friday afternoon: “Fight Club in Union Square. GET HERE.”
For those who don’t live in New York, Union Square has historically been a giant meeting place for political protesters, social activists, and merchants of all sizes. In the days following September 11th, it was a meeting place for rescuers and mourners alike. Now it’s home to a multiplex, Ann Taylor Loft, a Whole Foods, and a Diesel store.
So really, it makes perfect sense that in the inner chamber of Manhattan’s consumer culture, right there in Union Square, there would be a massive, public fight club.
You ever notice how grown people that are perfectly capable of feeding themselves lose their minds over free food at work? Fuck bombs, the best way for The Terrorists to strike at the heart of American capitalists would be like this:
The cops arrested an actual genie on the subway this morning. They knocked him right out his Adidas, face-down on pavement wet with rain from a million dirty feet. His skin was dark, black like an event horizon with bulging swirly yellow eyes like two eggs from another planet. He roared, rhyming:
Let me go, let me go!
Why SHOULD you?
‘Cause I said it was so!
I can grant you three wishes,
or I can eat your soul!
Everyone just sort of walked around him to get on the train, only staring a little bit. I stepped over him, wishing the train would stop being all slow on the way to Manhattan all the time.
Really, if you were undercaffeinated and a little late to work, what would you wish for if you were on the spot like that?
Artist William Hundley, living and working in Austin TX, dares to ask the burning question that lurks deep within the psyche of every man, woman and child:
“What if I put that thing up on a bunch of cheeseburgers?”

More photographs of cheeseburger-elevated objects on William’s website, here and here … including an iron, a portable television, a skateboard, and a miniature Easter Island head.
(NOTE: His photo pages scroll left-to-right.)
My dad took me to see Star Wars for the first time on July 3rd, 1982. He was taking the next day off from work and had volunteered to take me to see Star Wars or fireworks for the first time, saying over dinner, “We can do whichever one you want, Jeffrey. It’s up to you.”
I know he meant it generously, giving me that choice, but the responsibility crushed me. Home video was a few years from being affordable, and even though Star Wars was the greatest gift to little boys since gunpowder and matches, it HAD to leave the theaters someday. I knew that much. I’d never seen fireworks, either, and those only came once a year. I couldn’t focus on which one I wanted to do more — because I had to miss one of them, and I didn’t know which one, I anxiously grieved over missing both.
This problem has not yet left me.
I found this incredible image of Stanley Kubrick directing Keir Dullea and Gary Lockwood in ‘2001: A Space Odyssey’ while sifting through the Internet this morning. I wonder what they did with that set afterwards. It would be so awesome if they just rented that rotating drum out as a studio apartment, so that when you walked to the living room from the bedroom the apartment rotated, but you stayed still …
My friend David William is helping me beef up the NY/Web-based arts coverage here, just to get more content moving through the pipes and be another set of eyes, ears, and opinions on the street. We’ve been friends for a while now, and I’ve loved his art and aesthetic for a long time. Make sure and make him feel welcome, folks, while we monkey with the technicalities of setting him up with his owner user account here.
He writes in here with his first guest post:
Walking past the Taco Bell on 14th street, just West of Union Square, I spotted these two new cut-and-shuffle jobs: